Sunday, November 20, 2016

go boom

Get up, child.
Pull your bones upright.

-- Audette Fulbright Fulson, "Prayer for the Morning"*


Not in the morning. In the late afternoon. Walking in the neighborhood. On an errand.

Carol taught me. When the baby falls down and looks to you, you must show that you saw it happen. Oops, you say. The baby is picking herself up, looking at the elbow, the knee, touching the place, trying to characterize the catastrophe. Fall down go boom, you say. Want me to kiss it?

Maybe it's enough that you witnessed and proclaimed the hurt: oops, and then the child forgets and moves on, but maybe she needs the more specific intervention, comes to you, and you kiss the spot. OK? the baby runs back to her play, sooner or later to fall again. She learns the routine. One day she falls, says oops; looks at you and says (you repeat after her), fall down go boom. She laughs, and runs on.

Sometimes, of course, there are material injuries. More is required than words: a cleaning of the wound and a band-aid. Or -- god forbid -- the rare but constantly feared trip to the emergency room. And yet most of the time it's  a matter of management: own the hurt, assess the damage, repair if necessary, move on.

I went boom yesterday. Just walking in the neighborhood in the late afternoon. Crossing a quiet street. Coming up to the curb, where it dips to nothing for passage of wheelchairs and shopping carts. How did this happen?

My shoe must have caught on the curb, right where there was no curb. A collision path with concrete. Coming at me, too quick to stop. Almost at the same time, hands, forehead, chin, glasses on the sidewalk. Oops. Ow.

Damage reports. I'm still conscious. Glasses OK. Good. I put them back on my nose. I stand up. I put my hand to my forehead, then look at my fingers. A little blood.

A man comes up to me. You OK? Fall down go boom. I think so, am I bleeding (meaning am I bleeding a lot)? One spot on your chin, he says. I feel for the spot. Again a drop of blood. You want me to call an ambulance for you? No, I think. No, I say, I'll just go home (can't just pick up the cleaning now, can I?) Where do you live? Just the next street (not able to explain this as simply as I wanted to). Thank you, I say.

I'm steady on my feet (but now I wonder if I'm steady as I think). I'm wondering if my shirt will be all covered with blood by the time I get home, but it doesn't come in torrents, I'm just going to bruise and have ugly scrapes. I clean the wound with alcohol -- ow -- and look at the meaty mess of my face in the mirror. You should have seen the other, guy, I'll say.

I've had a fall incident. I fell and hurt myself for no good reason. I'm getting old. Am I a fall risk? If you're labelled a fall risk, you can't go anywhere by yourself: that's the rule with our clients.

I take my history. Every few years I have a fall, sometimes visually spectacular. I once tripped and rolled over the landscaping border of a building before limping in to see a client who lived there. In San Francisco a dozen years ago I took a movie-worthy summersault from the curb and stood up on the median with only a tiny scrape on the back of my hand. In a play reading in Chicago I sat in a chair too close to the platform edge, fell three feet and backrolled to my knees, picked up and continued. I take little injury from these incidents, and I attribute it to my theatre training -- I have the practiced, subconscious skill of rolling and distributing weight.

But this time was different. The concrete was too fast for me. Ow. No rolling, just the whip of my body, head at the end. Smack. I'm not as smart as I think I am, but that's hardly news. Just a reminder.

In the last year I've had a remission of arthritis, and rediscovered the workings of the knee joint. I've had good control of my sickness. I've felt like a youngster of fifty-five. But there's a limit to this blessing. Some day I'll be a danger to myself when I go walking, though I don't think this was that day. But I'll have a good long chance to think about it, as people react to my trivial wound, impossible to conceal. A certified wounded healer I am now.

In my life, my city, my work, I can count on a lot of concern and compassion (maybe more than I want). But lots of us are injured and can't count on compassion.

There's an injury many of us have received, a moral and spiritual injury -- an injury that we must heal and yet strategically conceal. We know we must own the hurt. We have fallen and gone boom. Some time is due. We can't move on without knowing what we move on from. We show our hurt to each other. Want me to bless it? Show it to the Spirit, to God the great and compassionate observer. If cleaning, stitching, bandages, emergency surgery are due, do what is needed. This is our homework. Do it at home.

But when we go into the world, let's not front our wounds. The forces let loose are not threatened by wounds, have only hatred for bandages and expressions of pain. "Empathy" is an obscene word for them. They throw parties because we are hurting. Micah tells us the Lord demands only that we make justice and do kindness, and walk humbly with the Spirit of Peace.

So go back into the playground, and threaten them with your justice. Speak the truth. Tell the stories. Claim your rights, and the rights of the bullied. Call out the bullies. Undermine their ideology of the fist. Hear the pain of those who chose this dream -- fall down go boom -- and ask them how they chose it, for they are victims. I call myself out here, for I don't know whether I am brave enough. I guess I'll be finding out.

*available at uua.org

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Wednesday, November 16, 2016

banana states



The people will waken, and listen . . .

- "Paul Revere's Ride"



I want to talk about other things, but I have to say this first.

I'm walking on the grounds of a retreat center in Ohio. I'm one of the first to get here. I have the garden to myself. The trees are gone brown, and most of the leaves have fallen. The garden has a brick wall but I do not feel enclosed, for the garden is on a slope, and I feel uplifted toward the hills around us. It is so, so quiet. How we can be so tucked away from flight paths and interstates I do not know, but of course I still have airplane ears -- the ringing silence that comes from decompression and partial recovery. Perhaps there is background noise that, in my stunned condition, I do not hear.

Ah yes, there is a nearby railroad. The sound of the train is very clear. It comes and then it goes.

We are gathering -- clergy of my disorganized faith -- as we do each November to draw each other out of ministry's prosaic miseries. We distract ourselves from the miseries by studying some question, chosen at the previous year's retreat. A year ago we chose Dystopia. We had no idea what our subject would mean when its day came around. One of us noted that now the day's newspaper would serve as dystopian literature.

The Heffalump will take power. His closest advisor is a white nationalist. He has promised to jail the opposition, to punish journalists who don't sing his song, to send occupying armies into communities of color, to send brownshirts after those who speak freely, to wall the nation off from the world, to impose religious tests on citizenship, to wage trade war against the markets into which we sell, to abandon European alliances while bombing the excrement out of any region of the world from which danger may come. These are the Heffalump's promises, recorded for history. I take him at his word. If he doesn't do these things, the Heffalistas will have his Heffahead.

From each of us our parish, our flock, our clients and colleagues demand comfort. But we have none to give. We are punched in the gut, gasping for breath and uncertain how long the oxygen will last. Grief work takes a while. And it begins with telling the truth. There is no emergence from grief without knowing that you will never be the same.

There can be no more dystopian novels. I and my country are living a dystopia. The country I have loved as a child, or rather a super-empowered minority of my country, have chosen to reverse the moral progress of the last half century, and they vow to uproot my country's foundational values.

I'm the kind of kid who knew how you are supposed to fold the flag when you put it away. I'm the kid who memorized the Gettysburg Address, the Declaration of Independence, the preamble to the Constitution. I could sing all four verses of "The Star Spangled Banner." I knew the story of the virtuous war: I could tell you all the battles, the years and the places. I can still perform "Paul Revere's Ride" from memory, and when I come to a particular line at the end, my throat catches.

But the people are not woke. They think they have wakened, but there are dreams within dreams, and they have emerged only into another delusion -- that by killing the messengers they can prevent the danger. If the Heffalump keeps his promises, it will not turn out well for them. As a child I pledged allegiance to the United States, not the banana states, of America.

I've said it. I'm not important, and my statement has no historical value. I say these things not to change the world, but to clear my throat. Now I can move on.

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Sunday, November 6, 2016

rough beast

 Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.

-- Naomi Shihab Nye, "Kindness"


"Help, help, a Herrible Hoffalump! Hoff, hoff, a Hellable Horralump! Holl, holl, a Hoffable Hellerump!"

-- A. A. Milne, "In Which Piglet Meets a Heffalump"


. . . what rough beast . . . ?

-- William Butler Yeats, "The Second Coming"


Let's just call him The Heffalump. He has no kindness. He knows no sorrow. He throws it back on others, and makes them suffer for their pain.

Almost eight years ago ("falsetto prophecy," January 19, 2009), I wrote about the advent of a black president, who would the next day walk Pennsylvania Avenue. I had just been to Disney World and walked Main Street, and I thought Pennsylvania Avenue might at least that day be America's Main Street. "Isn't that what we've hoped for," I asked, "that we could all walk down Main Street together?" That was Disney's dream, and it's not all bad.

Two evenings from now I will learn who is going to make the next such walk. Like many Americans, I am not at ease about what may happen.

Perhaps one day we will walk Main Street together. Perhaps every now and then, in a Divine Domain, we already do. Perhaps on that one day we did so, and we must remember it. What we failed to predict was the reaction. We failed to understand how many of my countrymen would rather plough the street than walk with a black man; how many think a House no longer White if a father, mother and their ilk of color eat off the china; how many bilious hearts erupt because a man of negritude is their commander.


Let all the poisons that lurk in the mud hatch out.

An Emperor in a novel, who pined for the Republic and failed to restore it,* thought that poison would evoke its antidote, but of course it only poisoned everything. In our day also poisons have come out. We forgot how toxic was the hallowed ground we lived on, from which old ghosts would rise. We failed to see that a media company and a political party would burn the house down just to get the black man out of it, or just to get the eyes and votes of those who want the black folks out. The party and the network failed their first objective, but they sowed corrupting seeds. How current to parade fantasy as fact, threaten free speech, demean rules of evidence, reduce discourse to a jailhouse brawl! How respectable to impeach a president with a racist lie, and call it journalism! It doesn't take long to smash the standards. How many generations would it take to replace them?

I, my friends and my associates, my teachers and my students -- well, this wasn't our idea, but ours is a share of blame. We have reveled in false equivalencies, as if the fox and hens were equal opponents in the henhouse. We have been too tolerant of intolerance, too patient with aggression, too polite with brutality, too reasonable with unreason, too respectful of malice. We're wiseing up, but we're late to the contest. For these sins The Heffalump is our penance. Seekers of truth are sinners like everyone else, and truth is never known by human hearts but through a dark and partial glass; but those who live by killing truth don't belong at table with those who do their best to honor her. What possible conversation could there be? Jayson Blair is not a journalist, and neither was Andrew Breitbart.

The school in which I first was was educated had a Political Debating Club. This club trained us to argue an issue using evidence and inference, by rules of civility and logic. A debater was supposed to be able to argue both sides of a proposition. There was no shouting down the other team, or threatening the judges, or pounding the Bible, or making up falsehoods on the fly; these incivilities never happened, and would have been grounds for disqualification. Though the contest was an artifice, it taught that free speech has its rules.

Liberation is passionate, but cannot be undisciplined. "The expectation of rationality," wrote Michael Gerson recently, "is not elitism. Coherence is not elitism. Knowledge is not elitism. Honoring character is not elitism. And those who claim this are debasing themselves."** Liberation without Enlightenment is just another crank of the Vengeance Wheel -- at best. The assault on reason, even when well meant and carried out by radical professors, yields results we should get wise to. We've already had a president we could have a beer with. Now we might have a president who, while speaking for aggrieved people, would beat us up and throw us out of the bar, before turning his rage on the oppressed. Are we having fun yet?

Lucy (or is it Lucius?) you got a lot of 'splainin' to do. My seminary taught me that a white straight Anglo-Saxon overeducated old man is in an odd position in relation to prophecy. I'm not supposed to man'splain, or straight'splain, or white'splain, or educated'splain, or knowledge'splain, or old'splain. But pretty soon somebody's got to do some 'splainin.' The fox is in the henhouse, and The Heffalump is in his limo, planning his slouch down Pennsylvania Ave. Two days from now we'll know if he gets his wish.


*The Robert Graves version of Emperor Claudius, in Claudius the God.

**"Out of his Depth, Donald Trump Clings to Deception," The Washington Post (September 27, 2016), www.washingtonpost.com/opinions/.

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Monday, October 31, 2016

authentic words

I often think of . . . liturgy as certain words which people have successfully addressed to God without their getting killed.

-- Annie Dillard, Holy the Firm*

words, words, words

-- Hamlet, II. ii.


I'm figuring out how to write. Been figuring it out most of my life. Most of the time I was wrong.

Why do I care?

It seems like a fight with myself. Or maybe a fight for myself. Maybe a quest. To find. Discover. Become. What? the thing I'm going to be when I actually exist. When I grow up. Yes, that's the ticket, when I grow up then I'll be a real boy, and then I can drive the car and operate machinery and order a martini, and when I speak people will listen, o yes then I won't be just a kid, I'll be the real thing, a genuine article.

Genuine. True. Authentic. Yes, that's the word. Authentic. At least, it's the word I've been using the last couple of years. The word that, when someone I trust applies it to me, turns on my water-works. The word by which I can be manipulated. "You're strange, but you're authentic." The key to my heart.

I've pursued this thing in three ways. I tried to live in the theatre some way for a quarter century. More recently I've spent a decade being formed as a counselor. But all my life I've been trying to write, even when I couldn't.

People ask me how I came from the theatre to counseling, as if it were a contradiction, and I say that they're two different searches for authenticity.

In a theatre you pretend that you're worth looking at, and if you pretend truly they look at you. The main thing is honesty, fake that and you've got it made said many a sage. The semiologists teach us that every sign of truth can verify a lie. If you lift your eyebrow when you lie, stop lifting your eyebrow.

The best approach to truth in the looking-glass of illusion is the via negativa. Learn what's false and put it away. Repeat. Keep learning many falsehoods and putting them away. What's left is more likely to be true. And what is this falsehood, this truth, false or true to? To the thing, the place, the plot, the illusion at hand in the play, the Spiel, the commedia, the bit, the act. Take away what distracts from that, and we might have something.

I was trained to find the falsehoods in myself, the things I brought with me that were not the play, the Spiel, the commedia -- my assumptions, attitudes, neuroses parasitically feeding off the terror of the stage, obscuring the authentic illusion. Learn what's false. Put it away. Repeat.

In counseling, we track our attachments and antipathies: is the client before me just like my sweet old auntie? the mother I wish I had? the cheater who betrayed me? We also track the attachments and antipathies of the client toward ourselves: am I in their eyes a son? a lost husband? a huckster who sold nostrums? We learn, with the help of our teachers, to notice and disarm, contain, bracket these transferences and counter-transferences. We note our assumptions: we're too fast or slow, too loud or soft, too white or nouveau ethnique -- we name these patterns to get a handle on them, lift them out of the way so that the client's truth will shine. Learn what's false. Put it away. Repeat.

And words demand their own authenticity. I was brought up among books, not just picture books but big thick books jammed with print, books in many languages, books that I knew were for the grownups and not for me yet and therefore sooner or later but not much later I would grow into. I was also brought up among poems and songs, rhymes and rhythms of speech -- olympic vocabulary contests, spoonerisms and puns.

Language seemed like a road from childhood to adulthood. The shy boy might come out into the world on a thruway of words. Writing seemed a way of being somebody. But who was the shy boy to be?

At first you try on many voices, like old clothes in a thrift store. Scripture, Milton, Orwell, Kerouac, Frost, Eliot, Dylan Thomas, Joseph Conrad, John Steinbeck, the bard . . . And then you discover how your sentence lights up on the fuel of anger. You turn all your school papers to rage so that your prose can burn with a hard light. You're a sullen, secretly angry person. Angry is happy. Angry is real. You're trying to grow up, but you're stuck in adolescence, because if you can't be shouting at the elders, the system, the cosmic conspiracy to irritate you, then you can't find the words.

Then you grow up into the academy, where you're supposed to write, but in a particular way. A man who had never published taught me how to write for academic publication. When I had absorbed his teaching, I was silent for a decade, for he took my voice away. If the words had to follow those rules, they would not come to mind. I could not find the words. No words about the shifts and shadows, wisps and breaths, of theatrical illusion -- which in those days was what I had to write about. If I was to write at all.

Then came the deconstructionists -- the imitators of a French philosopher whose greatest horror was ism of any kind -- and every article in every humanistic field must be written in a tangle of neologisms: clunking cinderblock terms that, if dumped into one's writing, were proofs of currency and profundity. The new vocabulary was the certified antidote for logocentrism, phallocentrism, colonialism, imperialism, and hegemonic aggression. So powerful were these words that I adopted them myself. I rewrote my drafts in fast imitation of Roland Barthes and Umberto Eco, and became a published scholar. I had learned the power of those words.

I'm not a scholar. I started this project eight years ago, and I don't have to please anyone but myself. I just have to keep it honest. I'm doing better than I've done before, the proof being that I can look at some of those entries from eight years ago without feeling ill. I'm pursuing authenticity, hunting down extraneous words and syllables and letters, striking out the things I don't really have to say, eschewing explanation that obscures the thought. It's via negativa. Find what's false. Put it away. Repeat.

I dropped out for a year, but it wasn't a good year. It was a year when I got tired and sick, and let the job overpower the work. I had to give myself a shake, and get back to the task. The last few months are a new thing, closer to the bone, with firmer adherence to life and to death. Behold! I'm doing a new thing, don't you see it? said the Lord in Isaiah's prophecy. But it's the same thing, always new. Find what's false. Put it away. Repeat.

*(New York: Harper Colophon, 1977), p. 59.

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Sunday, October 16, 2016

enough life



If I were going to sell my soul, I think I'd nurture it carefully for a few years, so that it would fetch a good price.

-- Garrison Keillor*

When I was one-and-twenty
       I heard a wise man say,
“Give crowns and pounds and guineas
       But not your heart away ..."

-- A. E. Housman

I am not one-and-twenty. It's time I should give my heart away.

   My aunt, my deceased father's older sister, died in Oregon this summer. On the day before her ninety-seventh birthday, Carol and I talked to her. She was glad to hear from us; she asked how old I was becoming, and when I told her she paused and said, "That's incredible." Clear in her head, and able to laugh, she decided she had had enough of life, and declined nourishment. You can do that in Oregon.

Photo by Baldassarre Farnaccio
Why does one say, I've had enough? What is the reason of it? One can say the words bitterly, as if to say Enough! No more pain and suffering! Stop it now! We have techniques these days to relieve gross pain, but perhaps it's the trade-off between medications and side-effects, clouding of the mind or the emotions: Enough! This isn't life, I've already lost myself. Perhaps it is not gross pain but a piling on of little humiliations by the aging body, sapping the strength and souring  the joy, forbidding ordinary pleasures by which life knew itself. Enough! I've had better, why live with an inferior copy? I think my aunt said the word enough in a positive sense; she had experienced enough of the good to justify her time on the earth: decades of marriage to a kind and loving man, children and grandchildren, and ninety-seven Christmases -- perhaps it could not be improved: why stay on a ride that can only go down hill?

But the last reason of Enough! is the one I fear. I've heard it said about many old people, that "everyone she knew and loved is gone." If I felt like that, I'd want to go.

So now the time is coming when, to stay alive, I must distribute myself. You, my friends of long standing; you, the wise and witty partner of my life; you, my children; you, my siblings and their children; this is time for me to give you the attention you deserve. But there is another network of attachment that forms and reforms without stopping. There is no safety on an island of the old. It's an inverse proportion: as you get older, more of your new friends will be, must be younger than you. Old friends have a past that you can share; young ones have a future you can look forward into. A contemporary of mine said that one should have a friend for every decade, which at my age means that, if I take her advice literally, this boomer must have millennial friends -- which is to say, people some of whom could by arithmetic be my grandchildren.

That idea seems a bit comical. Old fools are generally more ridiculous than young ones. But the time is past for cultivation and protection. The heart must be broken up and pieces given away, in faith that the feeling organ still has capacity to restore itself, and there is a special intoxication in passing those pieces across the gap of age, much risk of misunderstanding and much reward. The younger may describe the reward as wisdom and mentorship; the older as renewal of life and confirmation that one is not a total fool, that one's struggle has some meaning for those who have not shared it. It's not a simple matter: as the poets have told us, when you give pieces of your heart away they can be broken, no less for the old than for the young. Old age, they say, ain't for sissies.

They call this generativity, and it's a way of staying alive until you die. In my day the gym teacher used to say no pain no gain, but not all pain is gainful, and not all gain is painful. It's more like this: no chance of pain, no chance of life.


*My paraphrase of a passage from a GK monologue

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Friday, September 30, 2016

stage three

Keep it 100.
-- Larry Wilmore

Happiness floats.
-- Naomi Shihab Nye*

My new doctor is very encouraging. She has a lot of information for me. Many options, many tests, many possible treatments, some of them not invented yet. All this will take time. There's time. That's her subtext.

How kind of her to say I am a young man. Part of the plan is to ensure, during all the years before me, that I don't have too much bone loss. All those years. Informative and encouraging, she is.

I've lost a little weight, enough for women to notice, and after my morning stretch and my pills I go to work without symptoms and free of pain. (Some men have noticed my loss of weight as well, but it doesn't affect my vanity in the same way.) I feel pretty good for a sixty-nine year old overweight arthritic man who takes six meds, one of them very expensive. Very expensive. I've got my aches, my good days and bad, but haven't felt this strong in years. Some say I don't look sixty-nine, and I take it very kindly. Those who think I look my age keep their silence, and I take that kindly as well.

Larry Wilmore doesn't have a TV show any more, but he used to say we should keep it 100 and not cover up our truth. The new information, if held away from light, would make me less than 100. It's come back, this fight between my body and itself, not responding neatly to the first treatment, so I'm at the second, the third option. Nine years ago a doctor told me I was cured, so I've been a survivor for nine years, but the organ in question has practiced its designs on my life for thirteen. Quite a story, already complicated. It will be complicated. The complications will take a long time.

Until now the word "survivor" hasn't felt right. I didn't feel that I deserved it. I felt lucky. My previous treatment was too easy. I didn't suffer at all. And then the doctor said, "You'll die of something else," which was his way of saying I was cured, but I didn't feel I had survived anything.

As it turns out, that doctor wasn't exactly right. But he got me eight good years, and he made me wise. We're all going to die of something, if not of this now, then of something else later. What's unusual is that I know its name, and I'm far enough along in the count of years that I feel its presence. I feel, as a poet said whose work I learned in school, "the always coming on, the always rising of the night."**

The new stage, though it changes nothing, changes everything. I see, hear, the same things I always did but differently. It's like walking a high wire: there are thrills and chills, delights and terrors, in high definition, very bright. I become, as I said before***, permeable. And I haven't got time not to pay attention.

Attention to work, to people who work with me and people for whom we work.

Attention to the one whose patience with me now approaches half a century.

Attention to the old and to the young, in their opposing fractions of past and future.

Attention to silence and to noise. Attention to music and to words. Attention to the joy and the terror. Attention to the heart and to the head.

I will of course fail to pay attention, but I owe attention to my screw-ups as well as to my tiny triumphs.

Sometimes I'm asked how an actor becomes a chaplain. Actors and pastors chase authenticity. When they do it well, they're authentic.

Or rather, inarguable. Herbert Blau wrote about the inarguable in the theatre: not the good or the bad, the pretty or the ugly, but the thing you can't tamper with, that can't be changed without becoming something else.

When the song passes through us, it's inarguable. You don't say "no." You don't say "yes but" --  It passes. We have to be ready. To be ready is to be what we are, where we are. And I am a sixty-nine year old man in the middle of what my friend calls a "health journey."

I won't die soon, not of this at least. It's prudent to assume I have time to live and work and love authentically. I look forward to the rest of my life.

I first shared this knowledge at a table of colleagues. I paired it with Nye's words about floating happiness, and they said I looked happy, as if relieved of a burden. I said, yes, at this moment I'm very happy.

I've been given a gift. So this is me chasing authenticity. This is me keeping it 100.


*"So Much Happiness"
** Archibald MacLeish, "And You, Andrew Marvell"
***"subway music," June 13, 2016

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Sunday, September 11, 2016

september eleventh

My heart is moved by all I cannot save.

-- Adrienne Rich

We'll build our house and chop our wood,
and make our garden grow.

-- Richard Wilbur*



Dan and Bronwyn's garden
My friend of long standing, who played chess with me in the choir loft of my father's church even before we were day-boys in the local prep school, begins his eighth decade today. For the last fifteen years, the day of his arrival on the earth has been marked as a day of violent departure for many others. He's handling it. There has been music, food and booze, and dancing on the village green. And in his Vermont outpost he and she grow their garden.

My friend declares that "Eeyore was an optimist," and the end of civilization as we know it has already begun. I know there is evil in the world, and I fear for my country's self-inflicted wounds, but I am unable to join him. Every generation has wondered if they lived at the end of the world, and all generations so far were disappointed. My friend makes plans for his city to be carbon-neutral in another fifteen years;** and his garden grows.

I've never written about that day before, or posted on its anniversary. Fifteen years ago today I was a few miles outside Grand Island, Nebraska doing humble showbiz. In an outdoor sawdust arena, in a small town that boasted named streets and infrastructure but was populated only three days a year, a farm equipment company engaged me to present their latest inventions while dodging tractors and combines. Six times a day we presented this ballet, and our public schedule would begin at 9:00 AM. I had driven to the site early for a 7:30 Central Time rehearsal. The first plane hit the north tower at 8:46 Eastern Time, a few minutes after we began rehearsing, so we knew nothing of the violence.

Then the rumors started. One plane, two planes. One tower, both. A tower had fallen. There wasn't Wi-Fi fifteen years ago. Nobody carried smartphones with apps. Someone said a booth across the street had a TV, and there I saw in pre-digital imagery a tower come down, but my brain could not interpret the data, it didn't look the way I thought it should -- not a toppling but a swarming cloud that hung in the air, impersonating the building that had evacuated itself -- then in street-level images a wall of white, grey, black ash, and people running as if they were in an Asian monster movie.

I went back to our trailer and asked myself if anyone I knew was in danger. I assumed that cell phones would be jammed, and started sending emails. In those days an international agricultural equipment company relied on dial-up internet; strangely enough after squawks and groans I got through; my family and my friends in New York, who were engaged for much of the day in reassurance, reassured me.

The first show was canceled; but then the rhythm of commerce resumed at our arena, as with other companies, business and exhibits. The farm show happens only once a year -- the companies must display their stuff, the people must come to see it, and decisions must be made.

The first night, I left the television on and fell asleep to images of flame, smoke and collapse, with wild overestimates of death. When we finished our three days in Nebraska, none of us who had flown there could return home: all flights were grounded. I had engaged a car for the tour, and as I drove the interstate to Ohio for the next week's schedule, there was an American flag draped on every overpass. On the radio I heard Leontyne Price sing "America the Beautiful." When she got to the verse about alabaster cities that gleamed, undimmed by human tears, I pulled over at the rest stop. My eyes were fuzzy.

I don't have anything wise to say about this. Everybody has a September eleventh story, full of details they alone will remember. Perhaps we can learn that it doesn't take two to make a fight, because if someone's trying to kill you, you're in a fight whether you like it or not, and the only question is how you will conduct it. Perhaps we can learn that in asymmetrical conflict a simple plan can overcome complex defenses. But it's hard to know, in the face of deliberate slaughter on a large scale and conducted with personal cruelty, how to respond in a way that begins to heal the massive injury.

For fifteen years my country has fought two wars that have cost us dearly and accomplished nothing much to the purposes of peace and stability; these places may be hell on earth, but we don't seem to have a grip on making them better, no matter whose side we take. "Democracy," said John Oliver recently, "is like a tambourine. Not everyone can be trusted with it."

But if history makes us look like fools, perhaps it is not escapism to turn away from its grand stage and concentrate on its back yard, to heal our cities and chop our wood. So to my friend who on this day becomes seventy years old, I say dance bless you, drink, sing a song and make your garden grow.


*Candide (Leonard Bernstein composer)

**Net Zero Vermont (netzerovt.org)

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